Categories: photography

Candid photos of children-equipment

This can be daunting. Kids can be tough to photograph if you try to force them into something. So candid is the way to go for great shots. Here are some tips.
Tip 1

When you’re photographing kids, try to avoid the temptation to direct them too much. You’ll get much more natural-looking candid portraits of kids if you just let them have fun. If you do want them to look at the camera, only grab their attention occasionally, and ask them if they can see your eye through the lens so that they look directly at it.

Tip 2
Children’s expressions are fleeting at best, so to be sure you don’t miss the moment, watch the action unfold through the viewfinder as much as possible, and shoot short bursts on Continuous mode to capture the fun frame by frame. If you prefer to engage with your subject, try firing off a few frames while you’re looking over the top of the camera instead.

Tip 3
Despite the focus of this article, don’t get too bogged down with getting sharp photos; kids move around a lot, so it doesn’t hurt to set a slower shutter speed occasionally and capture a bit of motion blur in your photos. You can use this simple panning technique to capture their movements.

Tip 4
Kids tire – and bore – easily, so catch them while they’re fresh and work as quickly as you can. If you do find they’re flagging, take a break for a while so they can recharge their batteries, or enlist a helper to distract them with a toy or game (right).

Tip 5
Although it’s best to use natural light whenever possible, flash does have its place. Outdoors it can be used to provide a striking catchlight in the subject’s eyes, while indoors it can help in low light. The key is to expose for ambient light first, and then set flash exposure compensation to, say, -2EV to make sure it’s subtle. A diffuser ?or softbox can also help in this respect.
Tip 6
A fast lens is essential for shooting flash-free portraits indoors, while indoors and outdoors it enables you to minimise depth of field and blur out the background. If you have a camera with an APS-C sensor, a 50mm f/1.4 makes a great portrait lens.
Tip 7
No portrait photographer’s arsenal would be complete without a reflector. Particularly useful are Lastolite’s TriGrip reflectors – they feature a sturdy handle, and reflect light on one side and let it through on the other, which means they can be used as either a reflector or a diffuser.
Tip 8
If you have to resort to flash to light indoor or outdoor portraits, attaching a diffuser will soften the light. The larger the diffuser, the more even the light, and Lastolite’s EzyBox Softbox is hard to beat – it assembles and attaches in seconds, and produces an impressively even spread of light

charlottebell

EDUCATION 2010 Student Tony Corbell. 2011 PPA Photography School, Dallas TX 2010 Student Kirk Tuck, Austin, TX 2000- Marketing consultant for The Rug Hook Project of MX 2004- Organizer of Travis Heights Art Show 2004 Student Dan Burkholder, Platinum printing and digital photography 2004 Student Tom Knapp, printmaking 2004 Student of Lander Rodriguiz, photoshop 2003 Author of “Tears from the Crown of Thorns” 2003 Student of Jo Brenzo Master photographer 2002 Student of Jill Skupin Bromoil photography 2002 Student of Ray Carafano Holga Camera photography 2001 Student of Lisa Mackie, NY, NY Printmaking 2001 Student of Jim Johnston San Miguel de Allende, Mexico Printmaking 1998 Instituto Allende, San Miguel de Allende Photography 1997 Instituto Allende, SMA Photography 1995&96 Elizabeth Ney Sculpture School Sculpture 1996 Boulder Sculpture Academy Sculpture 1995 Daugherty Art Center Photography 1994 Instituto Allende. San Miguel de Allende Photography 1969 University of Minnesota BS Psychology, minor Art

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