Landscape tutorial

SAMSUNG CSC

Everyone has an opinion on how to shoot landscapes. But the thing is, there is a secret to producing winning landscape photography with wow factor. Follow the 8 simple steps below and you’ll get a top-notch shot every time you go out.

Perfect this landscape photography technique and then you can start to add your own creative twists to it to start producing really amazing landscapes! Here’s how it’s done

1 Set quality to Raw+JPEG?
Set your camera to shoot in raw and JPEG, if available. If you get the exposure spot-on in camera, a JPEG is fine, but if you need to tweak it in Photoshop a raw file is more forgiving. It also contains more tonal and colour information, especially in wide areas of colour, such as skies.

2 Use ISO 100/200?
Set your camera to the lowest ISO setting available in the ISO menu (ie, without having to select the Extended ISO option). For most cameras, this ?will be ISO 100, but it may be ISO 200. Low ISOs are essential for ensuring rich, noise-free landscapes (find out when to increase ISO).

3 Shoot at f/16 in A/AV?
The smaller the aperture (the higher the f-number), the greater the depth of field. That said, avoid going any smaller than f/16, as very small apertures can lead to slightly soft shots. To set it, select Aperture Priority (A/Av) mode, and dial in the aperture (find out more about when to use a small vs wide aperture).

4 Use a sturdy tripod?
Once your camera’s all set up, pop it on a tripod (learn how to use a tripod a the right way). Extend the thickest parts of the legs first and make sure the feet are firmly placed. Set Mirror Lock-up to reduce the risk of ‘mirror slap’ shaking the camera; and lastly, attach a remote shutter release (or set the self-timer).

5 Compose off-centre?
Some shots work with the subject in the middle of the frame, but usually you’ll get a more balanced shot if the subject is off-centre. When composing images, place key elements on ‘thirds’ in the frame (find out more about how to use – and break – the Rule of Thirds). Also look for leading lines and foreground objects to add depth.

6 Focus a third in?
Focus a third of the way into the scene to maximise depth of field (learn more about how to use depth of field). If one of your focus points sits over the edge you want to focus on, use it to autofocus. If not, select the nearest point, autofocus using that point, and then switch your lens to manual to lock the focus.

7 Take a test shot
Take a test shot and then check ?the histogram graph (learn how to read a histogram). The graph should be roughly in the middle for ‘midtone’ scenes, over to the left for dark scenes, and over to the right for brighter scenes. In all cases it’s important that the graph isn’t cut off or clipped at either end.

8 Adjust the exposure?
If you think you need to ‘shift’ the histogram left or right, press and hold the +/- button and use the dial to adjust the Exposure Compensation (check out our free photography cheat sheet on exposure compensation). Set it to ?-1 to shift it left (ie, darken the exposure) or +1 to shift it right (ie, lighten it). Take another test shot and check it again.

An unusual landscape in the valley of Peru.

charlottebell

EDUCATION 2010 Student Tony Corbell. 2011 PPA Photography School, Dallas TX 2010 Student Kirk Tuck, Austin, TX 2000- Marketing consultant for The Rug Hook Project of MX 2004- Organizer of Travis Heights Art Show 2004 Student Dan Burkholder, Platinum printing and digital photography 2004 Student Tom Knapp, printmaking 2004 Student of Lander Rodriguiz, photoshop 2003 Author of “Tears from the Crown of Thorns” 2003 Student of Jo Brenzo Master photographer 2002 Student of Jill Skupin Bromoil photography 2002 Student of Ray Carafano Holga Camera photography 2001 Student of Lisa Mackie, NY, NY Printmaking 2001 Student of Jim Johnston San Miguel de Allende, Mexico Printmaking 1998 Instituto Allende, San Miguel de Allende Photography 1997 Instituto Allende, SMA Photography 1995&96 Elizabeth Ney Sculpture School Sculpture 1996 Boulder Sculpture Academy Sculpture 1995 Daugherty Art Center Photography 1994 Instituto Allende. San Miguel de Allende Photography 1969 University of Minnesota BS Psychology, minor Art

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