Categories: photography

Shutter speed mistakes

Shutter speed mistakes
At a basic level, shutter speed is used to control exposure, but it can also be used as a creative tool that freezes action or adds dramatic blur to moving subjects. In this tutorial we’ll explain some of the common mistakes you might encounter while trying to achieve the five classic shutter speed effects of freezing movement, blurring action, using blur creatively, long exposures and night photography.

That’s not to say we shouldn’t do it. All famous photographers will tell you they wouldn’t have achieved anything without leaving their comfort zone.

So in this tutorial we’ll explain some of the common mistakes you might encounter while trying to achieve the five classic shutter speed effects of freezing movement, blurring action, using blur creatively, long exposures and night photography.

After we look at some of the common problems within these shutter speed ranges, we’ll suggest the best shutter speeds for you to use to achieve these effects and offer our best tips for overcoming these errors.

Static-looking shots
With all the movement frozen, fast shutter speed shots can look too static. You can try tilting the camera for a more dynamic photo composition, but the best option is usually to use a panning technique.

Blurred shots
If you have unwanted blur, then the subject was either out of focus, or it was moving too fast for the shutter speed.

Check that the subject hasn’t moved from your AF point. If the blur is down to subject movement, you’ll need a faster shutter speed.

Suggested shutter speeds for freezing action

  • Fast-moving cars, motorbikes or animals: 1/1000sec
  • Mountain bikes: 1/500sec
  • Waves: 1/250sec

What you can do
Shooting as many frames as possible isn’t always the best approach. Instead, try to shoot in short bursts when the action is at its peak.

This provides the best chance of capturing the best images, while allowing the camera enough time to write the images to your memory card without locking up.

Too much movement
If everything is blurred in your shot, try using a faster shutter speed that will capture the subject sharply.

If this freezes all the action then the subject isn’t staying in the same position in the frame. This is where your new panning techniques come into play.

Not enough movement
If there isn’t enough blur in the background you need to use a slower shutter speed, otherwise your moving subject will look static.

If your shooting situation allows, you should try to alter the speed in small steps so that you can still get the main subject sharp.

Suggested shutter speeds for panning

  • Fast-moving cars, motorbikes or birds: 1/125sec
  • Mountain bikes close to the camera: 1/60sec
  • Mountain bikes, moving animals or running people: 1/30sec

What you can do
Using a burst of flash is a great way of ensuring that your subject is sharp when shooting subjects such as cycling and motocross.

It’s only useful when you can get close to the subject, though, so don’t expect it to make a difference to subjects such as motor racing if you’re a long way from the action.
Over-exposure
At slow shutter speeds, it’s easy for areas subject to large amounts of movement, such as the sea, to create over-?exposure.

Take a test shot at the suggested settings and take a look at the histogram (or highlight warning) display to make sure the highlights are correctly exposed.

Suggested shutter speeds for blurred motion

  • Fast-flowing waterfall: 1/8sec
  • People walking close to the camera, or waves and slow-moving water: 1/4 sec

What you can do
In bright conditions you may find it difficult to get your shutter speed below 1/8 sec, even using the smallest aperture and lowest ISO settings.

Fitting a polariser onto the front of your lens is a great way of reducing the amount of light reaching the sensor, allowing you to reduce the shutter speed by half or more.

Camera movement
Even with the camera mounted on a tripod it can still move, causing the image to blur. In windy conditions, try weighing down the tripod with your camera bag to minimise the movement.

It’s also worth checking that the feet of the tripod are on solid ground (check out our 4 tips for sharper shots when using a tripod).

Suggested shutter speeds to blur movement

  • Moving foliage in gentle wind: 30secs
  • Traffic trails: 20secs
  • Smooth seas: 15secs
  • Fast-moving clouds: 8secs
  • Waves, retaining some detail: 1sec

What you can do
If you’re shooting before sunrise or after sunset, the light levels will change quite rapidly. So you’ll have to set a smaller aperture (or use a faster shutter speed) as dawn approaches, or as it gets darker after sunset you’ll need to use a larger aperture (or decrease the shutter speed).

Hot pixels
Shooting long exposures can also result in hot (or stuck) pixels. These are individual pixels that appear much brighter than those around them due to their response to light.

Using the long-exposure noise reduction feature helps to reduce the visibility of these in your image, but you can also remove them using the Healing Brush in Photoshop.

Suggested shutter speeds for night exposures

  • Movement just visible in stars, or full moon-lit landscapes: 2 minutes
  • Distinct star trails: 10 minutes

What you can do
When shooting night photography it’s common for shots to have much more noticeable noise than normal. To minimise this problem most cameras have a long-exposure noise reduction feature, which can be activated via the main menu.

charlottebell

EDUCATION 2010 Student Tony Corbell. 2011 PPA Photography School, Dallas TX 2010 Student Kirk Tuck, Austin, TX 2000- Marketing consultant for The Rug Hook Project of MX 2004- Organizer of Travis Heights Art Show 2004 Student Dan Burkholder, Platinum printing and digital photography 2004 Student Tom Knapp, printmaking 2004 Student of Lander Rodriguiz, photoshop 2003 Author of “Tears from the Crown of Thorns” 2003 Student of Jo Brenzo Master photographer 2002 Student of Jill Skupin Bromoil photography 2002 Student of Ray Carafano Holga Camera photography 2001 Student of Lisa Mackie, NY, NY Printmaking 2001 Student of Jim Johnston San Miguel de Allende, Mexico Printmaking 1998 Instituto Allende, San Miguel de Allende Photography 1997 Instituto Allende, SMA Photography 1995&96 Elizabeth Ney Sculpture School Sculpture 1996 Boulder Sculpture Academy Sculpture 1995 Daugherty Art Center Photography 1994 Instituto Allende. San Miguel de Allende Photography 1969 University of Minnesota BS Psychology, minor Art

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