Don’t come home from holiday with the same photos as everyone else. These 8 easy travel photography tips will help you think differently about your pictures.
We can’t all afford to go on safari, but combining a family package holiday with quality time with your camera doesn’t have to be a recipe for disaster.

While the chances of returning from a family holiday with an award-winning portfolio are slim, you can still pack in plenty of satisfying photography – of your travels and your family – if you know the right buttons to press. Here are 7 top tips…
Even though there are sometimes street lights to help you see, it’s difficult to change settings on your camera when shooting cityscapes at night, so pre-setting as many as possible will make it much easier to get great shots

Things you can pre-set
Before you set off on a night shoot in the city you can pre-set many of the settings on your camera. The combination of dark shadows and bright highlights you’ll encounter means that it’s best to set your camera to manual exposure mode, as the automatic modes will struggle to get the correct exposure.

Once you have selected manual exposure you can set the shutter speed to around 30 secs and the aperture to f/8, and the ISO to 200. You might need to change these once you’re on location and can see exactly what light is available, but they are a good starting point for many night shots.

Because the main light sources at night are street lights, car headlamps and other artificial lights, you should set the white balance to the tungsten/incandescent pre-set.

You may need to tweak this when you process your images, so it’s also best to select RAW file format, as this gives you the option of altering the white balance on your computer later.

Finally, you should set focusing mode to manual and drive mode to single shot, and enable long exposure noise reduction in the shooting menu.

SEE MORE: How to photograph light trails of cars

Settings to change on the day
Although you’ll be shooting at night, the lights of most city locations are just bright enough to focus manually successfully. With your camera on a tripod and fixed in position, you can use the viewfinder or switch to Live View and zoom in on any of the brighter lights to gauge sharpness more accurately.

After you have focused manually on the lights in your cityscape you’ll need to take a test shot to check the exposure. If you use the histogram display in these situations you will often find that the bulk of the graph is bunched to the left of the image.

This is fine, though, as it indicates that there are large areas of the image that are dark, not necessarily that the image is under-exposed. To check the overall exposure you should look at the right of the graph.

There should be a ‘tail’ that indicates the small amount of highlights in the image, and this should just reach the extreme right of the graph. If it doesn’t reach the end of the graph, the image is under-exposed, and you need to use a longer shutter speed or increase the ISO.

If it goes over the end of the graph there will be some detail lost in the highlights; this is fine for the ‘hotspots’ of very bright lights, but if the lights are really blown, you should use a faster shutter speed or reduce the ISO.

SEE MORE: Light trails – find out what you didn’t know about this night photography favourite

Typical camera settings for night cityscapes
File format
RAW
Exposure mode
Manual
Aperture
f/8
ISO
200
Shutter speed ?
30 secs
Focus mode
Manual
Drive mode ?
Single shot
White balance
Tungsten

charlottebell

EDUCATION 2010 Student Tony Corbell. 2011 PPA Photography School, Dallas TX 2010 Student Kirk Tuck, Austin, TX 2000- Marketing consultant for The Rug Hook Project of MX 2004- Organizer of Travis Heights Art Show 2004 Student Dan Burkholder, Platinum printing and digital photography 2004 Student Tom Knapp, printmaking 2004 Student of Lander Rodriguiz, photoshop 2003 Author of “Tears from the Crown of Thorns” 2003 Student of Jo Brenzo Master photographer 2002 Student of Jill Skupin Bromoil photography 2002 Student of Ray Carafano Holga Camera photography 2001 Student of Lisa Mackie, NY, NY Printmaking 2001 Student of Jim Johnston San Miguel de Allende, Mexico Printmaking 1998 Instituto Allende, San Miguel de Allende Photography 1997 Instituto Allende, SMA Photography 1995&96 Elizabeth Ney Sculpture School Sculpture 1996 Boulder Sculpture Academy Sculpture 1995 Daugherty Art Center Photography 1994 Instituto Allende. San Miguel de Allende Photography 1969 University of Minnesota BS Psychology, minor Art

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