A detail in portrait photography that often gets overlooked is illuminating the subject’s eyes…when this happens it is called “catchlight”. Utilizing catchlights are a great way to enhance any portrait. If you’re not sure what a catchlight is, the explanation is super simple: A catchlight is the light source reflecting in your subject’s iris. It looks like a tiny white spot in the eye, but don’t let the small size of the catchlights fool you because those little highlights add depth and life to your portrait! An image without catchlights can easily appear lifeless.

Let’s talk about how to achieve catchlights and what you need to make them appear in your subject’s eyes!

Light Source: Catchlights will mimic the shape of a light source. Different light sources will create different shapes. If you’re in a studio and the lights you’re using are square or rectangular, then your catchlights will be square or rectangular.

If you are photographing your subject outdoors on a sunny day, then your catchlights will be round like the sun. Round catchlights are considered normal and realistic looking because the sun is the most natural light source.

When you are outdoors, you can get some interesting catchlight shapes! Say there is a canopy of trees that is partially blocking the sun, then your subject will likely have the image of the trees reflecting in their irises (if they are facing toward the trees). Some photographers like their catchlights hitting the iris at exactly 10 o’clock OR 2 o’clock. They like these positions because when a subject is outside on a sunny day, the natural placement of the catchlights from the sun usually fall on the eye at 10 or 2. By no means do you have to follow that rule. It’s just one of those rules of thumb in the photo world that is worth mentioning.

Posing to get strong catchlights: Have your subject dip (or lower) their chin. This gives the appearance that your subject’s eyes are bigger.

Bigger eyes mean your catchlights look stronger! Another tip is to have your subject sit down with their head tipped up to you while you stand above them. (Like in the first photo.) I like this orientation when I really want to capture the subject’s eyes.
Using a low aperture will also make your subject’s eyes pop. The low aperture will make your subject’s face and eyes sharp while the background melts away.

Using reflectors to achieve great catchlightsIf you really want to get the light bouncing off of your subject’s irises, go for a reflector! Reflectors are an essential piece of equipment when you are photographing outdoors. Have your subject hold the reflector under their face and move it around until you like the catchlights. Snap a few pictures to see if you are liking the results! If you are not happy with the results, simply have your subject move to the side. I call this “shuffling”. I usually have my subject do lots of shuffling until the lighting on their face is JUST right. Getting great light in your subject’s eyes takes time and keen observation.

Quick tips when photographing outdoors: Have your subject face the sun to get catchlights. If the light is too bright, then stick them in the shade but still facing the sun. Sticking your subject in the shade will give you even light and you still get great catchlights if they are facing the sun. Use your reflector to bounce the light back onto your subject.

If you don’t have any kind of reflector on hand, then get your subject next to a white wall or a surface that will bounce the light back onto your subject. Sometimes it takes some searching and a little scouting beforehand.

If you are indoors: You can create catchlights when you are indoors too! Find a window or door and put your subject in front of that light source. The light will reflect and create catchlights.
Using an iPhone? Not everyone has a DSLR (digital single-lens reflex), aka a professional camera. The easiest way I describe DSLRs to people who aren’t familiar with them is by telling them it is the kind of camera where you can take off the lens and put on different lenses. If you don’t have a DSLR, don’t lose heart! You can capture catchlights using your smartphone too. Some phones take better photographs than others.Having a newer model phone with a better camera will make a big difference with your photos.

charlottebell

EDUCATION 2010 Student Tony Corbell. 2011 PPA Photography School, Dallas TX 2010 Student Kirk Tuck, Austin, TX 2000- Marketing consultant for The Rug Hook Project of MX 2004- Organizer of Travis Heights Art Show 2004 Student Dan Burkholder, Platinum printing and digital photography 2004 Student Tom Knapp, printmaking 2004 Student of Lander Rodriguiz, photoshop 2003 Author of “Tears from the Crown of Thorns” 2003 Student of Jo Brenzo Master photographer 2002 Student of Jill Skupin Bromoil photography 2002 Student of Ray Carafano Holga Camera photography 2001 Student of Lisa Mackie, NY, NY Printmaking 2001 Student of Jim Johnston San Miguel de Allende, Mexico Printmaking 1998 Instituto Allende, San Miguel de Allende Photography 1997 Instituto Allende, SMA Photography 1995&96 Elizabeth Ney Sculpture School Sculpture 1996 Boulder Sculpture Academy Sculpture 1995 Daugherty Art Center Photography 1994 Instituto Allende. San Miguel de Allende Photography 1969 University of Minnesota BS Psychology, minor Art

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